The Element of Form in Art

So you’ve chosen the element of form in art to work on today?

Great – that's the all important first step in your next project!

Not sure how to start?

Let’s play with a few ideas to help get those creative juices flowing again...



Imagine it's a fine, fresh day and you’re taking yourself on an artist’s walk along the beach, looking for objects that speak to your artist’s soul...

Gulls are crying on the wind, you breathe in the smell of the salt spray and feel the cool, wet sand under your feet.



A great day for an artist's beach-combing walk.A great day for beach-combing!



Picking up some sea-smoothed driftwood you enjoy feeling its form as you turn it round in your hands.

Shells washed up by the tide catch your eye...

Some interesting shaped pebbles...

A battered soup-can that reminds you of Andy Warhol's screen-prints...

A glass bottle ...



Interesting beach-combing forms.Possible beach-combing finds!



But now little waves start to wash over your feet - the tide is turning and  beach-combing is done for the day, so you start to retrace your footprints in the sand...

Back home again, and having emptied all the objects out onto your art table, you gaze blankly at them.


Yes, all very pretty, but what the heck are you going to do with them?!



Still life? Abstract? Imaginative?


Good question! This is where you find out what lights the fireworks for you as an artist and really start getting into the possibilities of the form element.

So let's start with still-life...

Group your beach-combing finds together in an interesting way or just pick one object that grabs you the most.

Okay, say you picked the shell; you're now going to use your artist’s eyes to really start seeing it. Not just looking at it, but seeing it!

So before you even think about reaching for a pencil or brush spend at least 5  minutes 'seeing like an artist'.

But what does that mean? Well, firstly, you notice every tiny thing about it!



Sea-shell back-lit by the ocean sunrise.
A beautiful subject for the element of form in art.Sea shell back-lit by the rising sun.



You may notice the way light shines through part of it, showing up a thinner part of the form.

Are there ridges or a spiral effect on your shell anywhere?

What about the silky smooth entrance to where the little sea creature lived before it moved on to bigger and better real estate!

Shut your eyes for a moment. Hold it in your hands. How does it feel? Light or heavy? Delicate? Chunky? Rough or smooth?

Anything else...?

Good! By now you should know your shell pretty well!




Sea-shell seen through driftwood could make an unusual image.Unusual view of a seashell - framed by driftwood.

But wait! Don't reach for that pencil or brush yet!

Because here comes the vital next step you need to take;

 WHAT DO YOU LOVE MOST ABOUT YOUR SHELL?

Decide now what it is you really like about it, otherwise your finished work might be ‘nice’ but will look limp and lifeless.

Remember, you have your own unique vision. We're dying to see what you loved about that shell and we're excited to see how you express it!

Otherwise why are you bothering with it?

So have you decided? Great! The time has finally come to reach for those paints or pencils and start discovering how the element of form in art can really come alive!

Go for it!




Sun

Quick Tip: Use contrasts : is it the pale,shining beauty of the shell you like? Put it against something dark and matt. If you love it's chunky, ridged, sculptural form, contrast it with something smooth and silky like fabric or water.



Going Abstract?

Exploring a driftwood form for its abstract possibilities.



Now, on to abstraction:

Let's look at some driftwood - either the one you've picked up, or use the image above as a jumping off point.

How do we turn a three-dimensional form into two dimensions and have it end up as an abstract drawing or painting?

As always, start by looking for the thing you like most about it.

For me, I want to zoom in to a smaller part of that driftwood  -  I love the holes which take your eye right through the form. What could you see through there?

I also like the swooping lines made by the way the tree grew. I might use them too.


More on shape vs form


Interesting abstract possibilities from this driftwood close-up.Interesting abstract possibilities can come from zooming in to your driftwood.



As it's an abstract it doesn't need to look exactly like driftwood any more, but it could still have a 'driftwoody' feel about it.

But that's up to you - if something about it has sparked you off in a new direction, that's fine too.

Do you like the soft silvery greys of some weathered wood? You could add touches of metallic silver paint. Or even silver leaf? Nice!

Or go wild - paint it bright oranges and pinks with purples in the shadows!

Well, the color element is muscling in on the act now - but if it wants to, let it. Just do what makes your heart sing - take what you want from the original and let your imagination run free!



Let it Shine!

Forest formsA Forest Walk


Of course, your artist's walk doesn't have to be at the beach. A walk in the woods, local park or even your kitchen are good places to find objects. (Many famous artists have found inspiration in their kitchens!)

Maybe walking in a forest like the one above could have been the inspiration behind Franz Marc's work "Forms at Play" (below).

On the right of the painting we see tree forms, on the left some architectural forms overgrown with plants?

This is one of the ways abstract painting can give our imagination free rein to express our ideas.



"Forms at Play" Franz Marc"Forms at Play" Franz Marc 1914

So, whether you decide to go abstract or realistic, the element of form in art is a fantastic tool to capture and express the beauty of the world - or of your shining inner self!

Your easel awaits!




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